Last to arrive is the title track 'Commando' which is rendered by Aditi Singh Sharma and appears in a Hindi as well as English version. That said, the hook by itself is just about decent, which is rather surprising for a song like this. Later, Jubin Nautiyal gets to croon a version of his own and his subdued version still manages to emerge as a better outcome. Sung by Amit Mishra, who had rocked the nation around Diwali last year with his excellent rendition of 'Bulleya', is decent for most part of the song but surprisingly doesn't quite elevate the song to a high when needed to pitch it right for the hook of 'Seedha Saadha'. Mannan Shah and Kumaar come together for 'Seedha Saadha', another love song which actually follows the rock genre. That said, the faster version doesn't elevate the prospects of the song much. A little while later though the 'club mix' of the song arrives which has Shefali Alvares singing the English portions right at the beginning. Overall too, the composition is just about decent though the visuals more than make up for that. Now considering the fact that the film is an action packed thriller with narrative spread over countries, one waits to see how does this love song written by Aatish Kapadia and sung by Armaan Malik. Mannan Shah is the sole composer from this point on and he brings to fore a romantic number 'Tere Dil Mein'. It starts with a rap by Raftaar and soon enough Armaan Malik kick-starts the proceedings with Ritika pitching in too. Recreated by Gourov - Roshin, it isn't as seamless as the some of the other recent recreated versions ( ‘Humma’, ‘Tamma Tamma’, ‘Saara Zamaana’) and just about fits in. The song in question is Pritam composed 'Hare Krishna Hare Raam' from Bhool Bhulaiyaa, which is pretty surprising considering the fact that the film had released just a decade back in 2007.
This could well have been the reason for the makers to go back to a tried and tested chartbuster right at the beginning of the album.